An interesting music interview I found today on NPR:
We asked hundreds of women working as musicians today to tell us what it's like right now: the good, the bad and the same as it ever was. Read their responses, find new music and join the discussion. Hey Ladies
Miranda Lee Richards: "I have received so much advice, but some of the best advice had to do with learning to do what was right for me. It's important to know somethings about the business so you can make educated decisions, but even then, you will have to be in touch with yourself to know when a situation feels right, when someone has your best interest at heart, or when an opportunity feels exciting or just the opposite. Very rarely do you feel good about things that turn out bad. I have felt cautious about things that ended up turning out great, but I've never felt bad about something that turned out good, does that make sense?"
After a lovely homemade breakfast of pancakes and coffee with Laura Graham this morning, talking dreams, talking film making and music making, I began seriously thinking about the lifestyle and decision makings and potential of the creative artistic woman. I think I wanna make music...Stumbling across this little vignette today of all days was very interesting.
With the weather as nice as it is, i'm looking for plants to fill up the inside and make it look like the outside. While scouring Etsy for terrariums I came across this one by LBrandt:
After going to Wendy Williams on Thursday and having to almost ask a question about my art during the Ask Wendy segment and being freaked out to do so, and then seeing myself on TV, I started to think about the vibrancy, the energy, the voice of the highly publicized, highly outgoing, famous women in POP culture...and how I sometimes fantasize about being one...it's probably a wild, wild ride.
Within a day of each other, I finished reading Jacqueline Susann's The Valley of the Dolls and saw Tom Ford's film rendition of Christopher Isherwood's A Single Man with a friend. I'm fascinated by 1960's America and by the way these two character stories were told. There is a strange parallel between that time and our current. The way people acted and lived was very different back then and yet somehow strangely similar to today...and the distant thoughts, the inner conflict of the characters in these two stories resonated with me, felt somewhat familiar. The juiciness of the tales, the subtlety of the characters' pain, the longing, all these felt familiar. But I guess that parallel can be made with many other time periods and today. And I guess these attributes are those to be coveted for good story telling. Susann's novel was maybe not as cohesive or full as one may hope for, but it sure was a page turner. I read someone called it their guilty pleasure. I found it to be just that for me with it being my many a late night companion. And Tom Ford's film had very distinctly beautiful moments, and visual gems so epitomizing of the impeccable taste of the talented, classic fashion designer. Parts quietly screamed fashion. I loved that about it. The subtlety conveyed in Colin Firth's performance was very real and heartbreaking and quite relative. The subtlety in general in certain parts was very beautiful.